🌒 Hi, guys! I hope you’re having the most wonderful day, surrounded by AMAZING readings.❤️ Today I’m more than excited because as you’ll see from the title I’ll be sharing with you the most spooky books of my TBR, that could become possible readings for Halloween season in October! I know you’re probably thinking “Sofi, it’s August, are you okay?” lol and YES, I KNOW! 😅 But I couldn’t stop thinking about how much I want to read that kind of spooky, creepy, atmospherically engaging plotline. So I thought, even though it’s August and October is still a little while away, it would be fun to gather my possible readings for Halloween and, by the way, know your opinions on each book on my list and thus be able to create a scary stack to read in the future. 😍 Also, of course, I’d love to hear your spooky recommendations for me, as I’m ready to add them all to my TBR.
When I have in mind reading something spooky in general I think of a spooky atmosphere that keeps you on the edge of the seat wanting to know what will happen, I also love anything that has to do with witches, it’s my jam & of course, weird and dark plots. So you’ll find a bit of all of that on my list today. 😊
I hope you like the idea, that you can enjoy the post, and that you especially find new readings for your own TBR! 🙌🏻 You know that I would love to know everything you think in the comments, it will be a lot of fun, so let’s START! 🌒
“What he didn’t say was that you don’t get cold-resistant because your jackets suck, you just stop complaining about it after a while, because complaining doesn’t make you any warmer.”
Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.
“I love her so much more when she’s not here.”
From the author of the New York Times bestseller Wilder Girls comes a new twisty thriller about a girl whose past has always been a mystery—until she decides to return to her mother’s hometown . . . where history has a tendency to repeat itself.
Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.
But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.
Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?
The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.
“Good people don’t bow their heads and bite their tongues while other good people suffer. Good people are not complicit.”
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut.
In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.
But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.
Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
“Girls hunger. And we’re taught, from the moment our brains can take it, that there isn’t enough food for us all.”
Beware of the woods and the dark, dank deep.
He’ll follow you home, and he won’t let you sleep.
Who are the Sawkill Girls?
Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.
Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.
Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.
Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.
Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.
“I will never judge you, nor pity you. I shall rage beside you. And I shall love you. No more and no less.”
Before the birth of time, a monk uncovers the Devil’s Tongue and dares to speak it. The repercussions will be felt for generations…
Sixteen-year-old photography enthusiast Zoey has been fascinated by the haunted, burnt-out ruins of Medwyn Mill House for as long as she can remember–so she and her best friend, Poulton, run away from home to explore them. But are they really alone in the house? And who will know if something goes wrong?
In 1851, seventeen-year-old Roan arrives at the Mill House as a ward–one of three, all with something to hide from their new guardian. When Roan learns that she is connected to an ancient secret, she must escape the house before she is trapped forever.
1583. Hermione, a new young bride, accompanies her husband to the wilds of North Wales where he plans to build the largest water mill and mansion in the area. But rumors of unholy rituals lead to a tragic occurrence and she will need all her strength to defeat it.
Three women, centuries apart, drawn together by one Unholy Pact. A pact made by a man who, more than a thousand years later, may still be watching…
“The anticipation of the loss hurts nearly as much as the loss itself. You find yourself trying to hold on to every detail, because you’ll never have them again.”
Seventeen-year-old Aderyn (“Ryn”) only cares about two things: her family, and her family’s graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don’t always stay dead.
The risen corpses are known as “bone houses,” and legend says that they’re the result of a decades-old curse. When Ellis, an apprentice mapmaker with a mysterious past, arrives in town, the bone houses attack with new ferocity. What is it that draws them near? And more importantly, how can they be stopped for good?
Together, Ellis and Ryn embark on a journey that will take them deep into the heart of the mountains, where they will have to face both the curse and the long-hidden truths about themselves.
“Little Lucy, dressed in white
Gave her mother such a fright
Walked into the woods one day
Where she went no one can say
Down a road that no one found
Or are her bones sunk in the ground?
How many steps did Lucy take?
One, two, there, four…”
In the faux-documentary style of The Blair Witch Project comes the campfire story of a missing girl, a vengeful ghost, and the girl who is determined to find her sister–at all costs.
Once a year, the path appears in the forest and Lucy Gallows beckons. Who is brave enough to find her–and who won’t make it out of the woods?
It’s been exactly one year since Sara’s sister, Becca, disappeared, and high school life has far from settled back to normal. With her sister gone, Sara doesn’t know whether her former friends no longer like her…or are scared of her, and the days of eating alone at lunch have started to blend together. When a mysterious text message invites Sara and her estranged friends to “play the game” and find local ghost legend Lucy Gallows, Sara is sure this is the only way to find Becca–before she’s lost forever. And even though she’s hardly spoken with them for a year, Sara finds herself deep in the darkness of the forest, her friends–and their cameras–following her down the path. Together, they will have to draw on all of their strengths to survive. The road is rarely forgiving, and no one will be the same on the other side.
“Monsters were way more interesting to Deirdre than animals, even talking ones.”
The Blair Witch Project meets Imaginary Girls in this story of codependent sisterhood, the struggle to claim one’s own space, and the power of secrets
Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. Moving across the country seems like the perfect chance to start over.
In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones.
Then Deirdre disappears.
And when something awful comes scratching at Skye’s window in the middle of the night, claiming she’s the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.
From the author of You Must Not Miss comes a haunting contemporary horror novel that explores themes of mental illness, rage, and grief, twisted with spine-chilling elements of Stephen King and Agatha Christie.
Following her father’s death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor’s doors lurks a history that leaves them feeling more alone…and more tormented.
As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident “bad seed,” struggling to tamp down her own worst nature in response. Jane’s mom also seems to be spiraling with the return of her childhood home, but she won’t reveal why. Then Jane discovers that the “storage room” her mom has kept locked isn’t for storage at all–it’s a little girl’s bedroom, left untouched for years and not quite as empty of inhabitants as it appears….
Is it grief? Mental illness? Or something more…horrid?
“Bongo is an excellent watchdog, by which I mean that he will watch very alertly as the serial killer breaks into the house and skins me.”
When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods.
When Mouse’s dad asks her to clean out her dead grandmother’s house, she says yes. After all, how bad could it be?
Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself.
Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale.
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